New Visions accompanies the second edition of Henie Onstad Triennial for Photography and New Media, which brings together experimental, camera-based art from across Norway, the Middle East, Eastern Europe and Central Asia. The book presents recent and new works by twenty-two artists that open up what camera-based art can be through employing novel techniques, such as Artificial Intelligence and Sonar Aperture Radar imagery, and tracing new subject matter. Bringing these artists together makes evident their shared interests in patterns of resource extraction and circulation across physical and digital infrastructures, and the “new visions” that arise from an emerging generation of camera-based artists. New Visions includes a curatorial statement by Inga Lāce, Reem Shadid, and Susanne Østby Sæther and an essay by scholar Eglė Rindzevičiūtė, which outlines what she calls “the atomic condition;” the ways of life and physical environments that co-evolve with the nuclear industry.
